Comic Book
Golden-age print energy with an excalidraw heart: paper panels with hand-inked borders snap in with hard cuts, stick figures sketch themselves into poses, speech bubbles pop with tails, and one spot color carries the POW moments.
Example render
THE STANDUP · 45s · issue no. 1
What it's for
- Funny story content and skits
- Relatable dev/office humor marketing
- Serialized 'issue' content with recurring characters
- Product stories that refuse to be corporate
The 8 scenes
A closed catalog — the agent picks from these, never invents new ones.
The opening page: a page-filling inked title, an issue-number chip in a sketched circle, a starburst word, and one hero stick figure.
One full panel: a stick figure sketches in, a speech bubble pops with the line; optional yellow narration caption above.
Two stick figures share one panel: the left speaks, then the right answers a beat later, each bubble's tail pointing to its speaker.
Three slim panels revealed in order, each with a stick figure and either a short line or an action word — a quick montage of beats.
One figure lost in thought: a cloud thought-bubble drifts up from a stick figure, with an optional narration caption.
A full-page narration beat: one big tilted yellow caption box, with an optional small action word in the corner.
The big beat: a huge action word in the center, hand-drawn speed lines blasting outward, and a figure bursting in from a corner.
The closing page: 'THE END' in a heavy inked title, an optional teaser box below, and a small stick figure in the corner. Fully settled at the end.
Install & run
framewright loginframewright init comic-book